ARGUMENT: Gungrave

Ok, I think everyone knows at this point how much I love the show Gungrave. And like Trigun, it is for reasons COMPLETELY UNRELATED TO THE ACTION IN THE SHOW. I love gunslingers, I love badasses, but I love this show because, amazingly, those two stereotypes are not at ALL what it is about.
gungrave poster
Here’s an argument (it’s going to be pretty long) that me and a guy had on IMDB.com :

THE OPPONENT:——SPOILERS——–

This show is FILLED with stupidities. The way guns are used for a start.

The main character keeps switching from one wannabe cool pose to another. Shooting dozens of shots in the same direction and sometimes without moving an inch, or aiming an inch for that matter.

And then the plot. Okay, it is based on a game. But how shallow can you get? The cheap philosophy every time someone opens their mouth. And the hero that doesn’t speak? Is that supposed to make him more mysterious? It can make someone mysterious, but in this case i don’t think he could open his mouth without saying something that wouldn’t make any sense or open yet another plot hole.

MY ARGUMENT:
Brandon Heat is not an idiot, nor “quiet.” He is internal. I can prove this wuth many factual points, but I’ll just make it clear with one reason alone-

He isn’t an idiot. You claim he is “dumb” whether by intelligence or decision not to speak (as a clarifier I mean that the condition “dumb” or mute) makes him a less intelligent, less rounded character.

He narrates the entire thing. Him. Mr. Quiet guy in the corner? Did you ever consider that some people have less to say, and some people just take orders. That’s what a good mafioso, or hell student, is supposed to be. Questioning is one thing. The whole theme of his character is blind loyalty and protection. He’s almost the complete mirror antithesis to Vash the Stampede, and usually when he’s quiet it doesn’t make him look cool- it makes him look retarded. Intentionally! He lacks social skills, he lacks self determination. The only thing he has going for him is a keen eye for observation and one hell of a right hook.

Yet throughout the whole show the voice actor has no lack of script to be read! Constantly Brandon analyzes his situations, reflects on them from where he is at the time, and occasionally as a flashback. For instance, in the third episode, he begins to realize what he’s getting into. Intelligently he describes how death can come for anyone at any time. This is his character growing out of the carefree fight-eternal lifestyle. He and Harry just witnessed the slaughter of their closest friends, and will now be imposed to change their lifestyles forever.

And over time? Brandon actually starts talking more once he gets comfortable with the mafia, once he starts separating himself from the brains of the operation and grows some of his own. Brandon is a sensitive person. They keep alluding to these themes constantly in the show. You think his reasons for not seeing Maria after becoming a hitman are shallow? This is certainly not the case. Brandon on the surface believes she has no idea what he does, and he highly dislikes lying! The character is one of the most brutally honest people in the show that if he had anything to sing it’d probably be a Johnny Cash’s “Cocaine Blues”. He can’t hide his identity from her, so he avoids her. Always watching. Wanting to protect the jewels even if he doesn’t know what they are. Ya know, sorta like the suitcase in Pulp Fiction, only its not a plot device, its another character that reacts and changes and attempts to understand him.

I will offer you one more point as to the three-dimensional nature of Brandon, and why judging him as infantile is an unfair statement that needs to be reviewed:
He does what he does to protect the people he swore himself to, even at the cost of hating (and later zombifying and daming) himself.

He’s just as sacrificing as Vash the Stampede, however in a very opposite way. For this, Nightow and the other writers from the staff PROVE that they are some of the most versatile people on the planet. Brandon is realistic, cold on the outside and troubled on the inside. The moment when he slams down his gun and lays the truth out for her [Maria], and gives her away to Asagi is probably the most tragic moment in this anime series, if not any anime series to date. He finally had to come clean to the one person who saw him for something he wish he could be- a man with no blood on his hands. Yet he only smiles, because now she can be free too and find happiness in someone real with less regrets. Someone who doesn’t hate himself and kills without a conscience.

If that one above paragraph of analysis isn’t enough to convince you to stop ratting on this show for being “stupid” then fine, I couldn’t change your mind. I really know that’s not the point of open forums, but it is the point of debate, and seriously man, I’m a film lit major in college. This is what I study, it is my livelihood, and while it doesn’t make me better than you (I wouldn’t assume such a thing since I’ve never met you), it is ample reason enough for me to defend this show and why I believe it is more intelligent than just plain “dumb.” It is not infantile. This show uses imagery in the most poetic sense. The blanket the young versions of Harry and Brandon chase? Consider that the whole metaphor for the show. The last damn episode is one of the most brilliant directional moves I’ve ever seen, with a “dialogue gunfight” that transcends anime completely.

HIS RETORT:
Some people are too naive, always looking for something that don’t exist and digging deep into something shallow. This series is bad, mm…key?
You are imagining things man, trying to analize something very simple, glorifying something stupid, metaphorizing something boring, ignoring something very clear – this show is just another wannabe.
As all wannabes it’s just loud, two dimentional, artificial, ignorant, using all cheap means to pull attention, and most of all lacking the same talent he wants to prove he has.
And of course, as for every annoying wannabe, there is someone who will like him and think the world of him.
But wannabe alway will be only wannabe, and his fans … well, they are just fans of some wannabe, tryng to compensate on something they don’t have by themselves.
Gungrave is a low product of fashion for wannabes, no more.
The fate of the wannabe is to disappear from the collective memory as time goes by. Only small core of “blanket chasing”, pathetic fans will remain, with their idol’s washed out T-sirts and fade posters.
Farewell, suckers.

FINAL OPINION ON MOST RECENT ARGUMENT:

Wow, this guy is REALLY clever. You all decide. I’m going to bed.

Okay, everyone, I want you all to give a BIG round of applause to this next group of film makers who are actually IN the game that I have been a huge fan of since two years ago- Westhavenbrook, headed by John Spurlock and John Soares.

In the video I’m going to post, John Soares (actor, director, fight choreographer, writer, apparently editor, among other things) is discussing their latest feature, Battle Jitni and the Gauntlet of Sorrow. Considering these guys have been an immeasurable inspiration of mine, I watch this little pseudo documentary/announcement with MUCH anticipation.

Go to www.westhavenbrook.com for many of their videos, and to www.sockbaby.com for one of their best known, a little film called Sockbaby, co-created with Doug Tenapel- the creator of Earthworm Jim.

Here’s the video:

Westhavenbrook Update

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They’re on Myspace as well of course, and if you’re an amateur film maker of any kind, I highly recommend you check them out!

NEW WEEKLY SETUP

Hey everyone! I’ve just come to make a quick note and announce how the site will run from now on until the next few months:

Monday’s I’ll announce the weekend box office.

Wednesdays I’ll be writing a review for any film I’ve seen over the week. Sometimes I’ll try throwing in 2 but it’ll be tricky.

Fridays will be “News In Review” with all the links to news articles I find most important throughout the week.

Every once in a while an new video will be added, and hopefully quickie youtube submissions will come in between major posts. In any case, this new format will help (hopefully) to streamline the website so my audience knows what to expect more often.

Later, gators.

RECENTLY VIEWED: Life is Beautiful

Life is Beautiful

For International Cinema (a film course I’m taking right now at Salisbury University), we watched an Italian film some might know as Life is Beautiful. In Italian, the title La Vita e Bella rings very poetically and is all you need to know from the get go: That this movie is living, breathing poetry about darkest hours and brightest smiles.

Guido is a middle aged man traveling through the Italian countryside, bringing immense life and indomitable imagination with him everywhere he goes with his hyperactive talent for humor and romance. He meets a woman who literally falls on him from the sky, and decides pretty much in that moment that he’ll look for her every chance he gets- she is his “princess.” The first half of the movie is his demonstration of character and whimsy- consistently drawing others into his imagination and making life truly worth living for those who surround him. However, he just so happens to be in the wrong time for love- that being the 1940’s, where it was popular to name children Adolf and Benito, and the disregard for human life took a back seat to “progress.”

Begnini

He succeeds at wooing his woman, and even is gifted a very smart, and very well played child named Giosue, with whom his life truly becomes beautiful. The time catches up with him, however, and he and his son are taken away to a Nazi Holocaust camp, where there fate will be unknown. It’s up to Guido to mask the horrors of this life from his son, much to young to understand, and make sure that his son never has to know the real suffering, the deep hatred, and the cruel traumas of war. The movie is about this gift that a father gives a son. Is it a gift of ignorance, or a gift of freedom? You decide for yourself, but for me, it’s a gift of salvation.

This film has gone on to win numerous awards, including Best Actor Oscar for its star, the stellar and always entertaining Roberto Benigni, who well deserved his acclaim even though his entire film has been bashed some critics for being unreal and unfair to the past.

Well, I’m here to set the record straight- I am not even going to wait till the end of this review to say this: This movie strikes the biggest pose I’ve seen in a while. Clever, sympathetic, sweet and never exploitative of the true events (it handles the Holocaust tastefully), yet the ending is still guaranteed to evoke tears in even the hardest hard-ass.

life is beautiful still

Filmed in some way that resembles classic Technicolor looks, with flat, exaggerated coloring that truly brings it into a romantic genre, the film feels like a 1950’s or 40’s classic, but with the spirit of hindsight to make it even more potently covered in the era it is trying to amicably recreate. For something that feels so old fashioned it completely blows away most modern efforts to entertain while making the viewer consider the situation the characters are in. The movie Moulin Rogue, for instance, uses modern day effects of grandiose coloring and movement to keeps it’s viewer on the picture at all times. What this film does is mainly give you one incredible character, various incredible settings, and frame them all in an astonishing script that never lets up on laughter and joy. This isn’t just the joy of romance, parenting, or survival- its just the ability to breathe. I used to have a theory- as long as we’re alive we’ll be alive. We can breathe, we can live. It’s slightly abstract but if I could ever find a movie to define what I meant, this film would be it.

Automatically getting a seat in my top 50 flicks of all time (and possibly top 10 upon later viewings,) Life is Beautiful isn’t so much a story of struggle as it is a story of the power of imagination and living. To say something any more original about it would be quite difficult, because this movie so quintessentially sticks to that theme, it’s probably bar none the best example of pacifistic dignity ever captured on film.

****/****

poster life is

Poster art for our newest flick at Salisbury University, which premiered at the Student Activities Fair in Winter 2007.

Intersection POSTER

Film to come soon.