So I recently watched Melville’s “masterpiece” LE SAMOURAI, a film about a hit-man in France that is either “betrayed” or caught or something while performing a hit. His plans go askew, and he has to avoid the cops for a while, not only reconfiguring his alibis but also snaking his way out of a suspect line up by doing seemingly nothing. He eventually is pursued through the city streets by the police, also while dealing with his untrustworthy employers and a couple of lovely dames. Although, as an unusual turn for the crime drama with the noir-ish anti-hero, he never calls them “dames”, let alone anything I can remember.
A REVIEW
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